10. Schindlers List

What can I say? Steven Speilberg knows how to make films about war. This black and white tale leaves you time to focus on nothing but the story. Oskar Schindler opens a factory in occupied Poland and employs Jewish workers as cheap labour. On good terms with German officers, his motive is to simply make a profit. Gradually, he is moved by the plight of the Jewish population and he uses his position to save hundreds of Jews destined for the Concentration Camp. The tragedy of the movie is how incredibly realistic it is. There is nothing but raw emotion that sells this film and it really emotes the horror of those that lost or lost.
9. Braveheart

The battle for Freedom might be something to visual behold but mostly it’s a cry against oppression. Like a few other battles here, they may feel slightly BLANK but there is a reason for that. The power of freedom, the fight for freedom has been something ingrained in our minds and the most important thing worth fighting for. Braveheart , Gladiator, and 300 are all movies that defend the human rights of man. The right to be free. There is no stance more powerful to get behind, and though Braveheart started out being driven by vengeance it evolved into a film that is iconic because of the strength of it’s message. The sacrifices of freedom, of choice, and that along with great action and effects is what made the battle in Braveheart so earth shatteringly good.
8. Grave Of The Fireflies

Grave Of The Fireflies is gripping from start to finish showing a unique perspective on two orphans surviving a war ridden country. The sorrow and tragedy of their lives and the effect war has on a people is deeply explored through the eyes of these children. It is gut wrenching and heart aching. The intensity and harshness of a nation, actually looking at the result of war rather than the battle. The hopelessness of their situation, and the constant struggle to survive was maddening torture. The coldness of others, and the feeling of solitude delivered in waves of dense melancholy. It’s message was pure and it’s tragedy was impossible not to empathize with.
7. Empire Of The Sun

It’s 1941 and the Japanese have invaded Shanghai. A young British boy is separated from his parents and taken to a Japanese camp. He befriends a smuggler played by John Malkovich, and so much time goes by the boy forgets what his parents look like. He obsesses over the war planes and their pilots. What the child goes threw growing with no parents, no sense of culture of identity is sad, but the final scene is just terrible. This is a brilliant movie, but difficult to watch.
6. Born On The Fourth Of July

If a film every delved into the repercussions of veteran of war it’s Born On The Fourth Of July. In my thoughts this is Oliver Stones best piece of work and one of Tom Cruises as well. The evolution of conservative catholic and unquestioning patriot to his country to the one who is far from content with his country. It uses the war as the catalyst that changes his life perspectives and views from Conservative Republican to Liberal Democrat. Whether you agree with his change or not, his story is a tragic one.
5. Glory

Glory was based on the letters of Colonel Robert G. Shaw. Shaw was an officer in the Federal Army during the American Civil War who volunteered to lead the first company of black soldiers. Played by Matthew Broderick, he befriends one of the black soldiers and must deal with not only the hatred of the south but even his own officers prejudice. It’s a touching movie that really captures the essence of the struggles of a nation during the civil war.
4. Patton

George S. Patton is played by George C. Scott in one of the best performances of all time. Wars have been shown threw the eyes of soldiers, the enemies, and the people, but seldom an interpretation through the general that had a huge part in the failure or success of that war, and Patton while hated by some and revered by others is one of the most compelling Generals in our history. The story begins with Patton’s career in North Africa and progresses through the invasion of Germany and the fall of the Third Reich.
3. Apocalypse Now

It is the height of the war in Vietnam, and U.S. Army Captain Willard is sent by Colonel Lucas and a General to carry out a mission that, officially, ‘does not exist – nor will it ever exist’. The mission: To seek out a mysterious Green Beret Colonel, Walter Kurtz, whose army has crossed the border into Cambodia and is conducting hit-and-run missions against the Viet Cong and NVA. This film is all about the characters and the profound affect war has on individuals. The different perspectives are naturally unveiled but the utter darkness of the film is what really grips you.
2. Black Hawk Down

Black Hawk Down offers a very profound view to an event that really transpired in Somalia during the Clinton administration. It clearly sets itself apart from other War films or epics by short-cutting back and forth between the individual experiences of the men during this surmountable mission gone bad. The brutality of war, the violence of war has all been portrayed before, but not in the way that Ridley Scott shot this film. It almost felt more documentary at times, connecting the viewer directly to the military men you were focused on. By the end of the film you don’t ask yourself if it was worth it, you don’t reflect on the political aspect of the situation, nor do you reflect on the aspect of the battle and war itself. You simply think about the men. It’s as complicated and simple as that.
1. Saving Private Ryan

As brutal as this unforgiving and relentless part of Saving Private Ryan is, the physical and the personal points it burns with is a wicked combination of entertainment and the painful and awful realization that this is as true as fiction has come to showing us what war is truly like. For the same reasons Black Hawk Down was so engaging and touched me so personally is the same feel I have for this scene in Private Ryan. Each time I watch it I feel my eyes burning from holding back tears, and my throat dries with apprehension and fear. It’s a physical response to something that says a hell of a lot more than big booms and stuff exploding. It is both riveting and tragic and nothing comes close to it.

Honorable Mentions: The Bridge On The River Kwai, The Deer Hunter, Platoon, Full Metal Jacket, Gone With The Wind, The African Queen, Casablanca, The Patriot, All Quiet On The Western Front, A Farewell To Arms, Das Boot, Letters From Iwo Jima, Flags Of Our Fathers, Tora! Tora! Tora!, Hamberger Hill, Good Morning Vietnam, We Were Soldiers, Pans Labyrinth, Lawrence Of Arabia, and The Hurt Locker
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There are a lot of greats missing from this list…
…PLATOON?
…ALL QUIET ON THE WESTERN FRONT?
…THE GREAT ESCAPE?
…FULL METAL JACKET?
…THE DEER HUNTER?
…THE THIN RED LINE?
and personally, I could make a case for LETTERS FROM IWO JIMA and possibly even INGLOURIOUS BASTERDS
Great number one. I agree, 1,000%
All of those titles were considered and thoughtfully declined. Though it was very difficult to not add Full Metal Jacket.
However I didn’t consider Inglourious Basterds. I still don’t know where I would have put it, but it would have probably found a placing.
Thank you Jeff!
i voted on your poll for black hawk down, def my fav of all time, probably my favorite movie.
question though. is schidnlers list and grave of the fireflies really considered war movies?
My top ten:
1. Casablanca (does a war film have to show the battles?)
2. Apocalypse Now
3. Platoon
4. Pans Labyrinth
5. Schindlers List
6. Full Metal Jacket
7. The Dear Hunter
8. The English Patient
9. Doctor Zhivago
10. The Great Dictator
I think Casablanca does. I added a few to my list for that reason. War films don’t have to be about explosions, they can be about the peoples they affect as well.
BTW, I’m in love with Pans Labyrinth. That and Deer Hunter are great additions to your list.
“Saving Private Ryan” beats “Apocalypse Now”? BOLD choice. I also like that you included “Grave of the Fireflies” — it’s different and I suspect you will introduce a lot of people like me, who haven’t heard of it, to the movie. Also love that you included “Braveheart.” It may get the historical facts atrociously wrong on many counts, but it has a lot of heart and spirit and that immortal line “Every man dies. Not every man really lives.”
I second Andy that I’d include “Full Metal Jacket.” There should be some sort of Creepy-as-Hell prize. If one’s invented and retroacted, then Vincent D’Onofrio should win it.
If I could I’d write a love letter to Full Metal Jacket. I’ve never “reviewed” it based on my obsessive adoration for it, but for some reason when I think of it, I don’t always think WAR, because the characters are so largely the compelling aspect of it.
And because of it I’m forever a worshiping fool of Vincent D’onofrio. I heart him.
Grave Of The Fireflies is one of the most profoundly touching movies I’ve ever watched, and it’s animated. I highly recommend it.
Thanks for the complements M. Carter. They always mean alot coming from you. Coming from a strong military back round I have very distinct feelings about this genre of film, and this list had a very personal stake at heart.
No Longest Day WHAT